Work is Art and Art is Work
This exhibition celebrates the work of six contemporary Missouri luthiers, all of whom participated in Missouri’s Traditional Arts Apprenticeship Program (TAAP). All are accomplished musicians, passionate about their music and instrument making. Each learned through a combination of sources: formal instruction, mentors and peers, books, imitation, and old-fashioned trial and error. Each begins his work with carefully selected wood. Each, by cutting, measuring, shaving, shaping, bending, tuning, and finishing, turns simple boards into intricate instruments that are pleasing to both eye and ear.
Gregory Krone – Violin and Viola
Greg Krone shows a viola-in-process balanced lightly on his fingertips – a test of skilled carving. Before apprenticing with Geoff Seitz, Krone trained at the Violin School of the Americas in Salt Lake City, Utah,…
Donald Graves – Walking Cane Dulcimer
Donald Graves still plays his great-grandfather’s dulcimer as well as his own. Maw-Hee, also a fiddle maker, wrote his name and the year of completion inside each instrument. Graves continues that tradition today. Like many…
Bernard Allen – Fiddle and Mandolin
Bernard Allen applies his love of Ozark hand woodworking methods to instrument making, primarily fiddles and mandolins. Here, Allen holds a fiddle with a natural finish that allows the beauty of the wood to stand…
John Wynn – Mandolin and Banjo
Wynn purchases wood locally from a third generation Ozark logger who knows Wynn’s preferences. Sassafras is abundant in the Ozarks and serves many traditional uses. Young roots are made into a medicinal tea or dye….
The Work of Art
Luthier techniques and approaches vary with each builder and instrument. Bernard Allen and Greg Krone use the patterns of European masters like Stradivarius, now readily available in books and on the Internet. Others, like Geoff…