200 Stories for Missouri’s Bicentennial, January 2021
200 Stories, January 2021
In Missouri’s bicentennial year, Missouri Folk Arts sought to share 200 stories over the course of 52 weeks in 2021 about folk and traditional arts in the Show Me State.
We kicked off January, the initial month, with Story 1 and wrapped up with Story 16.
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Ahead of the U.S. Bicentennial in 1976, the National Endowment for the Arts seeded folklife programs across the country, leading to our folk and traditional arts program anchored at the University of Missouri.
In Missouri’s own bicentennial year, stay tuned to Missouri Folk Arts’ social media, where staff will share 200 stories over the course of 52 weeks in 2021 about folk and traditional arts in the Show Me State. Enjoy the linked infographic video from the NEA, showcasing the folk and traditional arts across the U.S., including Missouri: The National Endowment for the Arts & Folk and Traditional Arts
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In June 1983, Bess Lomax Hawes, then-director of Folk Arts at the National Endowment, announced a state folk arts apprenticeship pilot program and sent out a call for grant applications to state arts councils.
Missouri Art Council leaders, at that time, Dorothy Ilgen and Rick Simoncelli, approached Dr. Howard W. Marshall, then-director of Mizzou’s Cultural Heritage Center, to “investigate the possibilities for participating in this program.” Within the year, Missouri joined fifteen states to establish an apprenticeship program.
In its first year, the Folk Arts Apprenticeship Program (as it was known then and coordinated by folklorist Barry Bergey) focused on Missouri’s musical traditions and sponsored ten apprenticeships in old-time fiddle, African American gospel, button box accordion, and Kansas City Jazz violin.
Follow this link to read In Good Hands: State Apprenticeship Programs in Folk & Traditional Arts, a 1996 publication from the NEA. A chapter called “Focus on Missouri” starts on page 14, with photos and quotations from teams practicing African American jazz tap, Irish music, and johnboat building: https://archive.org/details/ingoodhandsstate00auer/mode/2up
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The Missouri Arts Council, a division of the Office of the Missouri Lieutenant Governor, has been a dedicated funder and partner of folk and traditional arts in Missouri for decades.
MAC provides support in myriad ways, most especially through its annual Partnership grant to Missouri Folk Arts–and directly to Missouri non-profits through Folk Arts Grants. Currently, those grants support projects in communities large, medium, and small, including Bethel, Blue Eye, Branson, Columbia, Kansas City, Lee’s Summit, St. Louis, and Warrensburg.
Learn more about MAC Folk Arts grants here: https://mofolkarts.missouri.edu/folk-arts-grants/
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The Missouri Folk Arts Program traces its organizational roots to the all-volunteer non-profit organization Missouri Friends of the Folk Arts, founded in the seventies by a cadre of Washington University college students, and to the Missouri Cultural Heritage Center, an interdisciplinary research project at the University of Missouri-Columbia from 1982-1992.
Since 1993, the folk and traditional arts’ core has been sustained as a program of the Missouri Arts Council and the Museum of Art and Archaeology at the University.
Grounded at Mizzou, Missouri Folk Arts branches across the state, partnering with traditional artists, tradition bearers, community scholars, arts and humanities administrators, grant makers, individual donors, student workers, educators, local and regional experts, culture workers, consultants, volunteers, scholars, advocates, and friends.
We have 196 additional stories planned for 2021, this Bicentennial year—just a fraction, even while new stories unfold.
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Doris Frazier, TAAP master artist: 1985, 1992, 2016
Mrs. Doris Frazier toured the U.S. as a gospel singer, recording four albums and appearing on an array of TV broadcasts. Yet, she still returned home to her tight-knit countryside community called Westland Acres (now part of Chesterfield in metro St. Louis), where she continued to sit among the familiar faces at the Union Baptist Church. The property of freed slave, William West, remains a haven for Frazier’s family and, hopefully, future generations to come. https://westnewsmagazine.com/2019/01/07/104592/life-on-the-hill-one-familys-legacy-one-womans-commitment-to-westland-acres?fbclid=IwAR0WJQwFP9drcsUiHYNRo1T-qTLmUfS0LeOo_ISjQ1SWqPfHh4-50GkfuRo
Listen to some of Mrs. Frazier’s hits from the 1975 album, “What We Love We Share Together.”
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Taylor McBaine, TAAP Master Artist: 1985, 1992, 1994
Mr. McBaine, Old-Time Fiddler, worked in many fields as a young man, including truck driving and coal mining. Later, he hired on as an electrician at the University of Missouri, a position he held until retirement. During his spare time, he spent time playing the fiddle, performing in an array of venues in Missouri and beyond, all the while spreading the love of traditional fiddling to younger generations.
Learn more about Mr. McBaine in an essay by Dr. Howard W. Marshall at the Missouri Traditional Fiddle and Dance Network here: https://mofiddledance.org/profiles/taylor-mcbaine/?fbclid=IwAR0tT0xXANoeEh9SM06umch6gVfqwyYhRka7cDqmF3XvK_YTN644_qBTZF4
Thanks to documentation and digitization by old-time Missouri fiddler Charlie Walden, you can watch Mr. McBaine perform in the 1983 Missouri State Fiddling Championship on YouTube.
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H.K. Silvey, TAAP Master Artist: 1985, 2016
To say music is important to Old-Time Fiddler, H.K. Silvey, would be an understatement. Mr. Silvey developed a love for fiddling, hearing live music almost daily at social events while growing up in Ozark County, Missouri. He made many geographical moves throughout life, specifically one that led him to Louisiana where he worked to send men to the moon with Boeing. Even then, Silvey found himself in bars playing his fiddle for stress relief! After the project’s success, Silvey returned home, where he picked up his fiddle with friends in a band, and never put it down again. For the full story, check out Kaitlyn McConnell’s profile of Silvey at the Ozarks Alive blog.
To learn more and to hear H.K. Silvey’s fiddling, visit the Field Recorders’ Collective website, for tunes Jim Nelson recorded in 2015, released by the Collective in 2020. https://fieldrecorder.org/…/h-k-silvey-fiddling-from…/
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Donivan Bailey, TAAP master artist: 2015
Donivan Bailey wore many hats as a jazz percussionist: as the head of his own ensembles, a freelancer, and a trusted sideman for renowned KC Jazz musicians, like Lonnie McFadden and the late Alaadeen.
Mr. Bailey passed away unexpectedly in 2016, leaving behind a remarkable, though short, career in jazz and a legacy that extends him as a founding member of the popular a cappella group, measureXmeasure (measure by measure). Bailey’s music can be found in the corners of the internet, often off camera, providing rhythm–a treat to those who knew him and those discovering who he was.
For an extended drum solo, check out this video from Lonnie McFadden’s performance of “Oye Como Va” at the Phoenix Piano Bar in KC, Mo.: https://www.youtube.com/watch?v=68_BANElrNY
To hear Donivan Bailey backing Lonnie McFadden at Jardine’s on the Plaza in KC, Mo., check out this video on YouTube.
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Richard Martin, TAAP Master Jazz/Tap Dancer: 1987, 1988, 1989, 1990, 1991, 1992, 1993, 1995, 1996, 1997
Ten-time TAAP master artist Richard Martin, nephew of world-renowned dancer Josephine Baker, had tap dancing in his blood! His formal career in tap began at age four, and he would continue to dance and pass on his love of tap to St. Louis youth, founding a non-profit organization called the Children’s Performing Arts Academy. Mr. Martin also spent much of his life selflessly dedicated to preserving the memory of his aunt Josephine Baker above his own fame. Nonetheless, Martin lives on in memory as a master dancer and instructor in the greater St. Louis area.
Read more about Mr. Martin in the profile on our website: https://mofolkarts.missouri.edu/exhibits/richard-martin/?fbclid=IwAR03oo5kjPXr2ZAKSVQfPOjYqC0vUQUu4Y9bXqKENZ6cELCSZEwHi0hqEMU
Read more about his dedication to his Aunt Josephine Baker’s legacy in this 2006 story: https://www.foxnews.com/…/0,4675,JosephineBaker,00.html
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Mulu Wani, TAAP Kore Drummer: 2014
Mulu Wani, master “Kore” drummer, taught three apprentices this percussive style traditional to the Kuku people of South Sudan. Mr. Wani fine-tuned his skills and traditional knowledge when he and his peers spent time dancing in their Kenya refugee camp during a period of war in Sudan. Because the Kuku people were a smaller group compared to other tribes, “Kore” drumming, and dance, reminded people who they were and kept their hopes up during the time when they were confined inside their camp. Now, he and his community are resettled in Kansas City, and continue to gather for music and dance in their new home.
Read a bit about Mr. Wani’s experience on pages 7-8 of this PDF of _Museum Magazine_ in an article written by previous MFAP graduate student worker Dr. Dorothy Atuhura.
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Ashalatha Premachandra, TAAP master dancer: 1988 and 2019
In 1976, building on her practice as a traditional dancer, Asha Premachandra founded Dances of India in St. Louis–the first classical Indian dance company established in Missouri. With her company, Mrs. Premachandra expanded into teaching and choreography, ultimately leading to numerous awards, including a 2020 Regional Arts Commission of St. Louis Fellowship.
At the link, enjoy a brief 2012 documentary from Higher Education Channel TV (HEC-TV) about the dance company and its founder: https://www.youtube.com/watch?v=crMRzpc0xmo
For more in-depth background on this master dancer, her dance company, and the tradition of Bharatanatyam, check out the YouTube video recently produced by daughter Nartana Premachandra for Dances of India’s 43rd anniversary. https://www.youtube.com/watch?v=rucuO4qLNCM
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Boonslick Area Tourism Council: Missouri Arts Council Folk Arts Grantee
How many tourism councils boast their own master quilters?
This all-volunteer, tri-county tourism council encourages travelers to jump off the interstate and take the scenic route to visit Barn Quilts of the Boonslick. Essentially, the folk arts-infused project—grounded in quilting, vernacular architecture, and community stories—is a traveling exhibit, where the audience travels, not the works of art.
With Missouri Arts Council grants and matching funds from the region, Boonslick Area Tourism County curates, installs, conserves, and markets the trail that features over sixty destinations. Tour maps are available on the council’s website, as well as in full-color visitor guides (including local restaurants) at destinations throughout the region, like Arrow Rock State Park.
Check out this new aerial view of the quilt trail, featuring drone videography by Dragonflyover.
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Martin J. Bergin
TAAP master saddlemaker: 1986, 1987, 1988, 1989, 1997, 2001, 2011
TAAP master cowboy poet: 1990
Where do we begin with Martin Bergin, world-renowned saddlemaker and cowboy poet?
While Mr. Bergin passed away in the latter half of 2020, he left behind a legacy in leatherwork that ranchers, cowboys, and celebrities alike may never quite forget. Bergin’s saddles may one day become a thing of the material past (and collectors’ items). We may never be without his cowboy poetry, which lives on in his videos from The Tonight Show, trade show interviews, feature stories, and film, like those collected in this playlist from YouTube.