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Focus Exhibit, Carnaval de Barranquilla & Carmen S. Dence

Carnaval de Barranquilla & Carmen S. Dence

Folk Arts Focus Exhibit

October 1, 2019 – February 7, 2020

In October 2019, the Missouri Folk Arts Program installed its inaugural focus exhibit, featuring the work of Carmen Sofia Dence, a master Colombian folk dancer, choreographer, and costume designer, from St. Louis, Mo. Dence and MFA Director Lisa L. Higgins worked together to identify the objects for the exhibition case and to draft exhibit and object text. Dence visited the Museum of Art and Archaeology on October 5, 2019 for Museum Day to share information about her hometown, its heritage, and its dance traditions. 

Missouri Folk Arts director Lisa Higgins and master Colombian folkloric dancer Carmen S. Dence (center) enjoy visits at Mizzou North with Dence’s friend Moises Sosa (left) and her sister Elsy Dias (right) at Museum Day, October 5, 2019. Photo by C. Callaway

Carmen Sofia Nunez Trujillo Dence, a long-time participant in the Missouri Folk Arts Program, is a passionate keeper of the traditional folkloric dances of her native Barranquilla, Colombia. For decades, she has shared these traditions with her dance students, performing ensemble, Grupo Atlántico, and audiences across Missouri. She and her husband settled in St. Louis in 1978, where she pursued a career in radiochemistry research at Washington University School of Medicine and he taught chemistry and mathematics.

As a child in her coastal city’s San Jose barrio, Dence copied the footsteps of her mother Margarita and Aunt Emelda. Young Carmen learned, and then perfected, the rudiments of dances like cumbia, porro, and gaita as well as their distinctive narratives and origins in tri-cultural Colombia. Just as she learned in her youth, Dence always teaches her students and audiences about the Spanish, indigenous, and African influences on the traditional dances that were integral to life in her family and barrio. Local dance and music traditions instilled a sense of identity, grounded in heritage—and gaiety. Still, Dence tells us the annual Carnaval de Barranquilla was, and is, the defining tradition in her hometown, an event that she relished as a child and continues to relish as an adult. She is not alone; the event’s catchphrase is “¡Quien lo vive, es quien lo goza!” [Those who live it, enjoy it!]

Carnaval is a flamboyant festival tradition—rooted in Catholicism and observed especially in Latin American communities. Rio de Janeiro, Brazil, boasts the largest carnaval. However, UNESCO (United Nations Educational, Scientific and Cultural Organization) recognized Barranquilla’s version as an “intangible heritage masterpiece” in 2003 by proclamation. In the seaport city, Carnaval is an unceasing, four-day celebration in the pre-Lenten season. From Saturday through Tuesday prior to Ash Wednesday, dancers, musicians, everyday citizens, and cultural tourists mark the festivities with vibrant costumes, symbolic masks, boisterous parades, elaborate floats, and folkloric dances anchored in narrative.

Click on the images below to open in gallery mode.

Further out shot of Carnaval Queen Story Dress. It is a colored taffeta and satin dress with multiple layers and colored fabrics. The dress tells a story with the many colorful patches and shapes.
Carnaval Queen Story Dress, ca. 2000 Multi-colored taffeta and satin, sequined appliqué, rick rack ribbon. Lent by Grupo Atlántico and Carmen Dence Photo by Lisa L. Higgins
bodice of Carnaval story dress; the bull as a central character shapes the torso of the garment
The dress, a tribute to Congo dances, features a bodice appliqué of El torito (the bull), a popular carnaval character. Traditionally, papier-mache masks are worn by dancers (as seen in the poster), evoking the animals they represent. The masks on exhibit here are diminutive papier-mache or ceramic versions for home display or tourist souvenirs. Photo by Lisa L. Higgins
Closeup of overskirt on dress. Green and gold carnaval eye masks alternate with Congo dancers.
In the overskirt, green and gold carnaval eye masks alternate the circumference with additional Congo dance characters. To the left and middle, two Congo dancers wear sunglasses and towering hats of multi-colored flowers. to the right, the applique depicts the mask of Marimonda, a popular carnaval trickster. Photo by Lisa L. Higgins

This exhibit was made possible with the financial support of the Museum of Art & Archaeology, the Missouri Arts Council, a division of the Office of the Lt. Governor, the National Endowment for the Arts, and individual donors. 

[Posted January 27, 2020 by Lisa L. Higgins]

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Missouri Folk Arts Program

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573-882-6296 mofolkarts@missouri.edu

Missouri Folk Arts
Museum of Art and Archaeology
520 South 9th Street
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Columbia, MO 65211


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